In today’s mass produced consumerist society in which our clothes come from China or India, our flat-pack furniture is quickly and simply erected, and our language is increasingly confined to abbreviations and word counts, is craft still relevant to our everyday lives? Craft can be described as an activity involving skill in the making of things by hand and as Amanda Game (curator of applied arts at RCA) describes it, it is the ‘expressive possibility’ that it unleashes that

One of the major challenges of those wishing to raise awareness about issues in distant lands is that of humanizing them and making them relevant to local audiences. However, in a world of increasingly interconnected politics and economies the idea of problems being foreign and only affecting people in far-away countries is becoming less and less relevant. In 2015, more than a million people including refugees and migrants crossed the European borders, some escaping war and o

See things differently? Show us your idea. Enter the Re-think competition and your work could be showcased on TiP, Balmond Studio’s influential online ideas lab. The winner will also receive a £100 iTunes voucher and enjoy a private call with Cecil Balmond himself, one of the world’s leading thinkers on space form and structure. What is a Re-think? Anything with an original idea at its core is a Re-think. To put it simply – a piece of work that challenges the norm. Something

Oxford School of Architecture, MArchD graduate considers the potential for both success and failure in predicting future trends of technology and their impact on architecture. I spoke to some people in a pub beer garden recently. After the usual introductions, and revealing myself to be an architecture student, one of the group made a comment ‘oh, haven’t you heard you’re out of a job?’, and proceeded to tell me how we as a profession are to be replaced with 3D printing. Now

Architectural Researcher and Tutor at The University of Hong Kong presents a contemporary Baroque that engages with unknown truths in ways which current architectural styles cannot. “Beyond our immediate ends, man’s activity in fact pursues the useless and infinite fulfillment of the universe” - Georges Bataille. We live in an occulted world, which is seemingly indifferent to the human economies, linguistic divisions, and expectations which we continue to place upon it. Disas

UCL Space Syntax PhD Candidate Fani Kostourou consideres what we may learn from digging deeper into what archtects could call failure, highlighting six qualities of informal paths which she argues are worth integrating in formal planning. What becomes clearer than ever is that slums constitute an integral counterpart of contemporary cities. Most of the times they are portrayed as inappropriate and chaotic settings lacking of structure and basic infrastructure desperate for dr

In the heart of London, underneath a brutalist concrete jungle, lies ‘the Undercroft’. Once it was a huge sprawling space, stretching all the way to Belvedere Road at the back of the Southbank Centre. Slowly over time, the area was squeezed, lights were turned off, the ground cut into. A world class performing arts centre has got tired of kids with skateboards. Fifty years after the Festival of Britain, the Southbank Centre revealed plans for a huge development providing much

You are OSA Magazine. It is that time of the year when it is almost out with the old and in with the new. OSA Magazine is looking for fresh new students to collaborate with the existing team for the Spring issue. However that is not all. We are looking for enthusiastic, hard working ... wired, wild, passionate, committed and determined students to help us continue sharing ideas. OSA is looking for the next generation. We want students with initiative to take the magazine into

“A thing, until it is everything, is noise, and once it is everything it is silence.” (Antonio Porchia) The dualism of sense and non-sense already is complicated by the dual nature of sense itself, where sense stands for both the sensual and the sensical. The limited range of architectural phenomena that extend into the senses, as in the haptic-optic spectrum, are imprinted and registered into the sensorium of the individual. The sensations of a space lies in its pulses, ambi

The following pictures represent a photographic travel diary that speaks about how a group of young, IAESTE architecture interns, travelling for the first time in Romania, managed to discover and create a connection with the cities that they encountered throughout their journey. Following this summer experience, the process of designing became more enriching as a result of engaging all the senses. This ultimately led to a more meaningful sense of how surroundings are perceive